Showing posts with label little brown. Show all posts
Showing posts with label little brown. Show all posts

Thursday, June 25, 2009

I ate lunch with JK Rowling's editor!

I'm incredibly impressed with the collection of speakers the CPC has put together. Since my last post, we've covered all sorts of topics, under the guidance of a bunch of bigwigs in the publishing world. We learned about the business aspect of the industry from the CFO of Bloomsbury, and about bookstore sales from the chief Barnes and Noble fiction buyer. We covered marketing and publicity, and met editors from a variety of large and small publishers. There were presentations on book jackets, graphic novels, textbooks, and university presses.

Honestly, everything has been interesting. It's cool to learn about different segments of the industry that see the same book at various stages in the publishing process. For example, one presentation was from the marketing folks at Penguin, who hyped up a certain book that's coming out soon (before the program, we all read it and wrote our own marketing plans). Later on, we heard from the head fiction buyer at B&N, who told us how the store is going to position the book, and how much she thinks they'll sell. Great stuff.

Also, I ATE LUNCH WITH J.K. ROWLING'S EDITOR. And met Stephenie Meyer's. Awesome awesome awesome.


Some highlights...

Children's books with Megan Tingley, head of Little, Brown Young Readers division - Ah, the wonderful world of children's books. Megan oversees several imprints that produce everything from picture books to YA novels. She spoke about discovering new writers and illustrators, and what it felt like to take chances on things that could have been "the next big thing" or could have crashed and burned. Her outcomes were typically of the first variety, especially for a little book about vampires called Twilight. She showed us some of the rejected book jackets for the first book, talked about its place in YA literature, discussed some of the more controversial plot points, and shared a few stories about working with Stephenie Meyer. So interesting! Think what you will about the series, but nobody can doubt that it's a phenomenon.

The school secretary in the Arthur book series is named after Megan. I officially have a new life goal.

Lunch with Arthur A. Levine, publisher of an imprint at Scholastic, American editor of Harry Potter - While most of the program involves lectures, discussion sections, and Q&As, this part was special. Arthur invited a group of CPCers who were especially interested in children's publishing to come to lunch at Scholastic. It was great to actually go to an office, and speak informally with a very cool editor. He entertained our uberfan Harry Potter questions, but also taught us a good deal about recognizing quality children's books, working with editors in other countries, and getting into the industry. Both he and his editorial assistant are CPC grads, which was encouraging.

In thinking back upon these last two, it's interesting to note the topics of conversation. Megan was asked a lot of questions about working with Stephenie Meyer, because we're all familiar with the issues surrounding her, her background, the book, and the odd way she sometimes comes across in interviews. When we met Arthur, we asked a lot more about the process of putting together HP in the US. We all trust JK Rowling, and (plot- and editingwise) only question what we, as fans, feel truly deserves to be discussed.

Book covers with Chip Kidd, author of The Learners, art director at Knopf/Random House - What a hilarious guy. As an art director and also a freelancer, Chip Kidd is responsible for a slew of awesome book covers. He took us through some of his successes, and also a whole bunch of covers that editors and authors flat-out rejected. His work includes the jackets for Jurassic Park and Schulz and Peanuts. More covers.

Manuscript reviews with Bob Weil, Norton- Though this section didn't have quite the star power of those listed above, it was interesting nonetheless. Before the program, we were each mailed a manuscript and asked to write a reader report on it. We didn't know if it had been accepted or rejected by a publisher (it turns out they're all being published). This week, we got to meet with the editor of the piece, and discuss why he/she chose it, how it would be marketed, etc. My group's guide was Bob Weil, editor at W. W. Norton, which publishes nonfiction and very literary fiction. It was definitely helpful to see what changes he thought still needed to be made, and why Norton accepted it.

Global marketing strategy with Caroline Pittis, HarperCollins
- I was so impressed with this presentation. Caroline went from the basics of marketing to the specific ways HC is tracking its online presence, from author websites to Twitter, from how to make money by offering things for free to the future of ebooks. Very, very informative and well planned out.

Monday, June 15, 2009

DAY 1

Morning lecture - Our keynote address was given by Michael Pietsch, publisher of Little, Brown & Company. He talked about the history of publishing, which was interesting, and addressed what we were all wondering - Is publishing dying?? (Answer: no.) He brought up other points in history when people thought books were disappearing, and ended up being wrong - which was just the kind of news we wanted to hear. We all know we need to embrace the internet and the digital book reader, and think of new ways to get with the times, but it was very nice to hear from someone who wasn't all doom and gloom. LB&C is actually doing quite well, even in this economy. After the lecture, I was in the right place at the right time, and got to sit at his table for lunch, and ask more questions.

Afternoon lecture - Here began the "too many of you think you only want to do editorial" section of the course. We heard from John Fagen, directory of many things marketing at Penguin. We learned all about how publishers market hardcovers and paperbacks, and decide how much money to spend on each project. He spoke a lot about marketing online, and how the whole staff is learning how to make author videos and book trailers. We learned the difference between marketing and publicity, as well as promotion and advertising. Some books with very interesting personalities behind them benefit from author tours, while others are aimed at certain demographics and special interest groups. He also brought us some awesome Penguin tote bags! Free advertising? I don't care - it's a great bag.

Evening lecture - Bob Gottlieb, editor at Knopf (Random House). Bob has edited such things as Catch 22 and Bill Clinton's autobiography, and had great stories about the authors of each (for one: "I'm not working for you. You're working for me." The other: "It was like working with another surgeon on the same patient." You decide.) He has confidence that most good authors are eventually recognized by the public - even if their first book doesn't sell, they will eventually hit the right note with readers.

As a side note, I've enjoyed meeting the other students. BU didn't have a publishing program, so I've never been around this many people who want to work with books (or magazines, in some cases). It's a little strange comparing stories with people I will potentially be competing for jobs with, but for the most part it's been helpful to hear about everyone else's experiences, and fun to meet book-type people.


Quote of the day: Publishing is "making public your enthusiasm."

Phrase of the day: While some people are "automatic writers" (write it, get it done, don't need to edit), I am an "automatic editor" - I always feel the need to correct everything I see.

Fun fact: Stores like Target and Walmart account for half of Dan Brown's sales.

Fun fact: Tina Fey's publisher accepted her upcoming book without even reading a proposal - she's such a good writer and has amassed such a following that they were confident she would succeed regardless.

Books mentioned that I have read: The Lovely Bones, The Da Vinci Code, The Memory Keeper's Daughter

Books to add to my ever-growing must-read list: The Historian, The Horse Boy, Julie & Julia, The Piano Teacher, Shadow of the Wind, Fun Home, Infinite Jest, The Chosen, The Golden Notebook

Free stuff count: 4 books, 1 tote bag